It's 🔬 science! Papers about our work

:page_facing_up: We have published some papers about our work. I’ll edit this post if more papers are added or third parties (you?) will write a paper about something involving our instrument.

Ehrhardt, Neupert and Wegener (2020): Piezoelectric strings as a musical interface. To be published in: Proceedings of the International Conference on New Interfaces for Musical Expression NIME. Birmingham: Royal Birmingham Conservatoire.

BibTeX citation
@inproceedings{ehrhardt_piezoelectric_2020,
	address = {Royal Birmingham Conservatoire},
	title = {Piezoelectric strings as a musical interface},
	abstract = {Flexible strings with piezoelectric properties have been developed but until date not evaluated for the use as part of a musical instrument. This paper is assessing the properties of these new fibres, highlighting their strengths and weaknesses for nime applications.},
	booktitle = {Proceedings of {NIME} 2020},
	author = {Ehrhardt, Marcel and Neupert, Max and Wegener, Clemens},
	month = jul,
	year = {2020},
	pages = {2},}
}

Wegener and Neupert (2019): Excited Sounds Augmented by Gestural Control. In: Proceedings of the 2019 International Computer Music Conference. ICMC. New York, N.Y: New York University

BibTeX citation
@inproceedings{wegener_excited_2019,
address = {New York, N.Y},
title = {Excited {Sounds} {Augmented} by {Gestural} {Control}},
copyright = {Creative Commons Attribution-NoDerivatives 4.0 International License (CC-BY-ND)}
abstract = {An acoustic interface to create excitation signals for digital resonators (waveguides, lumped models, modal synthesis and sample convolution) in synchronicity with augmenting control signals is presented. It is described how a direct acoustic excitation creates an intimate and intuitive interaction. Multiple prototypes and the lessons learned from them are documented in this paper.},
language = {en-US},
booktitle = {Proceedings of the 2019 {International} {Computer} {Music} {Conference}},
publisher = {New York University},
author = {Wegener, Clemens and Neupert, Max},
month = jul,
year = {2019},
pages = {5},
}

Neupert and Wegener (2019): Interacting with digital resonators by acoustic excitation. In: Proceedings of the 16th Sound & Music Computing Conference. Sound and Music Computing. Malaga

BibTeX citation
@inproceedings{neupert_interacting_2019,
address = {Malaga},
title = {Interacting with digital resonators by acoustic excitation},
copyright = {Creative Commons Attribution-NoDerivatives 4.0 International License (CC-BY-ND)},
isbn = {978-84-09-08518-7},
url = {http://smc2019.uma.es/articles/D1/D1_01_SMC2019_paper.pdf},
abstract = {This demo presents an acoustic interface 1 which allows to directly excite digital resonators (digital waveguides, lumped models, modal synthesis and sample convolution). Parameters are simultaneously controlled by the touch position on the same surface. The experience is an intimate and intuitive interaction with sound for percussive and melodic play.},
language = {en-US},
booktitle = {Proceedings of the 16th {Sound} \& {Music} {Computing} {Conference}},
publisher = {Universidad de Málaga},
author = {Neupert, Max and Wegener, Clemens},
month = may,
year = {2019},
pages = {80--81},
}

Neupert and Wegener (2019): Isochronous Control + Audio Streams for Acoustic Interfaces. In: Proceedings of the 17th Linux Audio Conference (LAC-19). Linux Audio Conference. Stanford: Center for Computer Research in Music und Acoustics (CCRMA), Stanford University :tv: Video of presentation

BibTeX citation
@inproceedings{neupert_isochronous_2019,
address = {Stanford},
title = {Isochronous {Control} + {Audio} {Streams} for {Acoustic} {Interfaces}},
url = {http://lac.linuxaudio.org/2019/doc/neupert.pdf},
abstract = {An acoustic interface (also: hybrid controller) is presented. By tapping, scratching, rubbing, bowing, etc. on the surface, excitation signals for digital resonators (waveguides, lumped models, modal synthesis and sample convolution) are created in synchronicity with augmenting control signals. It is described how a direct acoustic excitation delivers an intimate and intuitive interaction. Questions are raised about which protocols to use for isochronous audio and control transmission as well as file formats. Standardization of such protocols is desirable for future hybrid instruments with analog interfaces. A first step towards standardization is made with the publication of our implementation.},
language = {en-US},
booktitle = {Proceedings of the 17th {Linux} {Audio} {Conference} ({LAC}-19)},
publisher = {Center for Computer Research in Music and Acoustics (CCRMA), Stanford University},
author = {Neupert, Max and Wegener, Clemens},
month = mar,
year = {2019},
pages = {5}
}
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